Archive for July, 2026
Welcome to the July 2026 issue of my newsletter, “News from the Crypt,” and please visit Carter’s Crypt, devoted to my horror, fantasy, and paranormal romance work, especially focusing on vampires and shapeshifting beasties. If you have a particular fondness for vampires, check out the chronology of my series in the link labeled “Vanishing Breed Vampire Universe.”
Also, check out the multi-author Alien Romances Blog
To subscribe to this monthly newsletter, please e-mail me at MLCVamp@aol.com, and I will add you to the list.
For other web links of possible interest, please scroll to the end.
A milestone month — 250 newsletters!
In June, N. N. Light’s Book Heaven featured my duology of humorous, steamy Lovecraftian tales, TENTACLES AND WEDDING BELLS, in their Celebrate Weddings promotional event:
N. N. Light’s Celebrate Weddings
Below is an excerpt from the second, shorter story, “Weird Wedding Guest.” At Lauren’s wedding, bridesmaid Roxanne can’t wait to meet her mysterious e-mail pal, Wilbur, the groom’s reclusive brother. But he’s not at all what she expected, almost literally out of this world.
This month we present an interview with fantasy and romance author Chelsey M. Ortega.
*****
Interview with Chelsey M. Ortega:
What inspired you to become a writer?
I have always wanted to be a writer since 3rd grade. But what made me seriously try was during Covid. My husband lost his job, and I wrote late at night after everyone else was in bed to decompress from our new situation. I finished the first draft in 3 months. It was the first time I’d written a full book, and felt that was a sign to get it published.
What genres do you work in?
Fantasy and romance. I specifically write dark fantasy and paranormal romance. The fantasy elements take center stage, but I always have a strong romantic subplot.
Do you outline, “wing it,” or something in between?
Something in between. I like to call myself a plantser. I do start with an outline, and I use my outline to help me begin writing. But once I dive into the story, the characters come to life, and they often make decisions beyond the outline. I update the outline as my story changes. Often, returning to my outline has helped me when I hit writer’s block.
What have been the major influences on your work (favorite authors or whatever)?
Harry Potter, Twilight, Witches of East End, Beautiful Creatures, Buffy the Vampire Slayer, and The Vampire Diaries have all heavily inspired my world building and storytelling. Anything that features witches and/or vampires, I’m going to read and analyze (and also be entertained by).
How has teaching high-school history affected your writing career?
I would argue that many fantasy stories at least highlight, if not have the main plot be, a commentary on past or current human events. And the wars and issues of mankind serve as great influence for the magical politics in a fantasy setting. Various human governments and cultures have heavily influenced the world building for my magical communities. I’ve also been told that my teenage characters are relatable and realistic, so it would appear that spending 6 hours a day with teenagers has helped bring my characters to life.
What would you consider the main differences between adult and YA fiction (aside from the ages of the protagonists)?
Adult fiction can dive deeper into more mature topics. Authors can be more explicit in language, violence, and intimacy. But I do think that what I like to call Upper YA can serve as a bridge between YA and adult. Authors who write characters 16-years-old and older can dip their toes in these more mature themes. I personally think that YA is too broad. 12-year-olds aren’t reading the same type of stories as 17-year-olds. I would love to see YA split into younger (12-15) and older (16-18).
What will readers find on your blog?
Book reviews, guest authors sharing their books, the occasional writing craft post, and historical sites/museums I have visited.
What is your latest or next-forthcoming book?
My most recent release was Bondwitch: Hybrid, which came out on May 11th of this year. And my next book will most likely be The Wolf Whisperer and the Warrior, which is a stand alone in a completely different world from the Bondwitch series.
What are you working on now? Do you plan on more “Bondwitch” novels?
I am working on getting my Master’s in TESOL at the moment. So, my homework takes up most of my writing time. When I do have time to write, I try to complete a page or two of my first draft of Bondwitch: Liberation. So, yes, there will be more Bondwitch novels! There will eventually be 4 novels in the Bondwitch series.
What advice would you give to aspiring authors?
Write what you want to read. I know that’s a cliché statement, but it has been vital to my success. Writing isn’t fun if you don’t like the story or characters. If you’re chasing what the current trend is, it won’t be a trend anymore by the time you’re ready to publish (especially if you’re as slow at writing and editing as I am). Writing shouldn’t be a chore or a job. It should be your escape, safe space, relaxing “me time”. So, write what you like. Write what you know. Write about your passions.
What is the URL of your website? What about other internet presence?
I am most active on my website Chelsey M. Ortega, Facebook, Instagram, and TikTok.
Thanks for interviewing me!
Chelsey
*****
Some Books I’ve Read Lately:
TAKE ME TO YOUR LEADER, by Neil DeGrasse Tyson. This book by the famed astrophysicist is subtitled “Perspectives on Your First Alien Encounter.” He begins the prologue with, “Ever since childhood I’ve wanted to be abducted by Aliens.” The entire book continues in this engaging, conversational style, yet packed with solid facts and well-grounded speculation. From the viewpoint of a properly skeptical scientist who hopes extraterrestrials exist, he explores topics such as the frequency of Earth-like planets in the universe, environments on other worlds, conditions required for life as we know it, and the likelihood that extraterrestrials have visited us. He analyzes the familiar question, “Where is everybody?” If intelligent life exists outside our solar system, why haven’t we met those entities or at least seen evidence of them? Tyson reviews the usual answers, the most likely being that no hyperdrives or navigable wormholes exist to circumvent the light speed limit; we’re separated from our interstellar neighbors, if any, by insurmountable distances. But suppose they do exist and manage to visit us? In the chapters “Alien to Us” and “Alien to Them,” Tyson explores the biological possibilities for life like and unlike terrestrial organisms. “Alien Intelligence,” “Alien Science & Technology,” and “Alien Powers” speculate on those topics and how they might affect aliens’ possible superiority to us and how they would interact with us. “Alien Evidence” and “Alien to Me” discuss UFO believers and the alleged evidence for extraterrestrial visitors. The brief epilogue wonders what the aliens might think of us if they met us. I was glad to find that the book features extensive endnotes and index. This wide-ranging, detailed, highly readable work is recommended for fans of science fiction and popular science.
CALL THE MIDWIFE (aka THE MIDWIFE), SHADOWS OF THE WORKHOUSE, and FAREWELL TO THE EAST END, by Jennifer Worth. I bought these three volumes in the trade paperback editions with TV-tie-in covers. As most viewers of the absorbing, long-running series CALL THE MIDWIFE probably know, the program is based on Worth’s memoirs. Her work resembles James Herriot’s ALL CREATURES GREAT AND SMALL and its sequels in that the narrated incidents really happened, but names and minor identifying details are fictionalized. In addition to Worth’s reminiscences about her personal experiences as a midwife and visiting nurse at Nonnatus House, the books provide rich background information about London’s East End, the dockside workers, and the culture of the Poplar district. The second volume delves deeply into the history of the workhouse system, which lasted further into the twentieth century than I’d ever suspected. Heartrending narratives in SHADOWS OF THE WORKHOUSE focus mainly on the lives of several survivors of that system whom Worth knew in their later years. By the close of FAREWELL TO THE EAST END, slum clearance programs of the 1960s broke up the generation-spanning communities of the Poplar residents. The conclusion of that book culminates in the profound effects of National Health on medical services in the area, resulting in the closure of Nonnatus House, as depicted in the just-completed season of the TV series. Fans of the series will find the trilogy fascinating but mustn’t expect to see much of the filmed drama reflected in the books. Only the early seasons of the show are based on events in the memoirs. After Jenny’s departure, the program expands and extends the story, adding many invented characters, developing the existing ones in new directions, and relating the lives of the nuns, nurses, and patients to actual events of the 1950s and 60s. In addition to the historical background provided in the books, each one includes a helpful glossary of medical terms used in the text of that volume.
THE REFORMATORY, by Tananarive Due. As with THE BUFFALO HUNTER HUNTER, I put off reading this highly acclaimed horror novel because its length and disturbing content seemed so daunting. Like THE BUFFALO HUNTER HUNTER, however, Due’s historical novel turned out to be well worth the effort. And at least it’s not complicated by a nonlinear time structure like the other book. Set in a small Florida town in 1950, Due’s story portrays the culture of the Jim Crow South in harrowing detail. Robbie Stephens, age twelve, lives alone with his older sister, Gloria, their widowed father having fled to Chicago to avoid prosecution for a crime he didn’t commit. They’re nominally under the care of an elderly neighbor, Miz Lottie, with Gloria running their parentless household to the best of her ability. Robbie has the gift of seeing haints (ghosts), although he yearns in vain for an encounter with the spirit of their late mother. When a teenager from a prominent white family tries to force unwanted attentions on Gloria, Robbie fights to defend her. He’s arrested for kicking the older boy, even though the “victim” admits he started it. The length of Robbie’s unjust sentence to the reformatory of the title doesn’t sound unbearable until it becomes clear that any alleged misconduct could result in extension of his imprisonment. In theory, the institution looks like a genuine “school.” The boys take classes. They perform hours of daily compulsory work, some jobs rougher than others. There’s a band, which Robbie joins, the only bright spot in his incarceration. In practice, he faces bullying from other boys as well as some of the staff. The institution is segregated, with a stark contrast between the amenities on the briefly glimpsed white side and the living conditions of Black inmates. The odious director – essentially, the warden – hides ugly, dark secrets. Many boys have died there over the years, so it’s no surprise that their ghosts haunt the buildings and grounds. The Author’s Note reveals that she named Robbie Stephens in tribute to her great-uncle Robert Stephens, who died as a boy in a similar reform school in the 1930s. The novel’s protagonist isn’t meant to be the same person, though, and the events are fictional. Gloria has to navigate restrictive, convoluted regulations just to see Robbie during the narrow window allotted for visitors. Meanwhile, she searches for a way to free him or at least mitigate his sentence. A civil rights lawyer who has relocated from the north tries to help. Unfortunately, since he’s not only a liberal Yankee but a Jew, local authorities offer as little cooperation as they can get away with. Robbie makes a couple of friends, Redbone and Blue. The latter has a sometimes malicious sense of humor as well as a shocking secret of his own. The warden, learning of Robbie’s ghost communication ability, pressures him into agreeing to trap the earthbound spirits, which the warden means to destroy. Although not at all a sympathetic character, he doesn’t commit evil for its own sake; he has comprehensible motives rooted in childhood trauma. Blue insists Robbie should help the ghosts move on to their afterlives instead. Torn between those conflicting demands, Robbie becomes trapped in increasingly risky situations. The true horror of the story doesn’t center on the ghosts, most of whom are fairly harmless. The horror arises from the injustice and brutality of the system in general and the reformatory in particular. When Gloria concludes she can’t get justice through official channels, she decides to take extralegal steps. Among other support, she gets vital help from Miz Lottie, who proves herself much more than the feeble old lady she seems. The attempt to liberate Robbie converges with the supernatural plot and the warden’s fate in a suspenseful, action-packed conclusion. Love, loss, courage, and sacrifice make the story poignant as well as horrifying.
For my recommendations of “must read” classic and modern vampire fiction, explore the Realm of the Vampires:
Realm of the Vampires
*****
Excerpt from “Weird Wedding Guest”:
Roxanne pushed her wire-rimmed glasses up on her nose and peered at the decorative platform she was hiding behind. It looked like a six-foot-high mound of iridescent bubbles. Rainbow colors shimmered over its surface, and violet sparks like miniature lightning bolts coruscated through it. Fascinated, she ran a hand over it. Its cool, smooth surface rippled under her palm.
She jerked her hand away. She must have imagined that movement. The thing felt alive. Impossible.
Like this display, the whole celebration had struck her as beautiful but strange. She’d never even heard of the Temple of Dagon before her friend Lauren had drafted her as a bridesmaid. In the ceremony the priest of Dagon, wearing a robe adorned with a three-lobed eye, and the minister from Lauren’s parents’ church, who’d co-officiated with him, had made an odd-looking pair. Too bad her new husband Blake’s twin brother couldn’t make it to the wedding. Wilbur was housebound because of some condition neither he nor Blake had explained. Roxanne had exchanged e-mails for months with Wilbur, who seemed like a fun guy as well as intelligent. Blake had “introduced” them online, although until recently she hadn’t known their exact relationship. Wilbur would have made a more pleasant companion than Chad, she was sure of that.
Speaking of the pest, he marched into the room at that moment, calling her name. Just because they’d been paired in the ceremony and she’d resigned herself to the ritual of one dance together, he seemed to think she owed him the rest of the evening. She’d spent it evading his attention. Not that he was bad-looking, with the wavy, chestnut hair, chocolate-brown eyes, and broad shoulders, but hunkiness wasn’t everything. She sighed and scrunched lower behind the sculpture.
“Roxanne?” Instead of giving up when he didn’t get an answer, he circled the room until he stood at the proper angle to catch sight of her. “There you are. I thought I saw you run in here.”
“Forgot my purse.” She straightened up with it clutched in one hand.
“Come on, how about joining me for a drink before we head home?”
“No thanks, I’m kind of tired.” As she’d informed him at least twice already.
He captured her free hand. When she snatched it away, his smile froze. “What’s with you? I thought some sparks flew when we danced.”
“Sorry, not happening.” She turned away from him.
He clutched her arm to spin her around. Startled, she let him. “Bet I can change your mind.” Cupping the back of her head, he lowered his lips to hers.
The second she tasted the beer on his breath, she snapped out of her shock and recoiled from the kiss. “Let go of me.”
His grip tightened. “Quit teasing.”
“Can’t you tell the difference between teasing and ‘no’?” She struggled but couldn’t tug her arm free.
Something long and sinuous lashed out, wrapped around Chad’s wrist, and squeezed. He yelped, and his fingers went slack.
What is that? Roxanne gaped at the thing that encircled Chad’s arm. A whip? No, it looked more like a tentacle.
Glancing over her shoulder, she realized the appendage was attached to the sculpture. Somebody had to be operating it by remote control, but who and why?
A voice boomed, “Unhand the lady.” It reverberated in the pit of her stomach like organ music.
So the display was wired for sound too? What was the point of that? Chad obviously didn’t pause to think about such questions. He inched away, his mouth hanging open. A purple bolt of electricity arced from the tentacle to his skin. He yelped and jerked his arm loose.
“Go!” the voice ordered. He turned and ran out.
Roxanne straightened her glasses and scanned the sculpture. Its surface undulated, and lights flickered under the gleaming surface. “Uh—thanks. Where are you hiding, anyway?”
No longer thunderous but a mellow bass, the voice said, “I am not hiding. I am right here. Are you uninjured?” Three stalks extruded from the display. Stalks with multilobed eyes.
She scrambled backwards and bumped into the corner of the bar. One foot slid from under her. Two tentacles stretched out, one encircling her waist and the other winding around her right forearm. Her vision grayed, and she stifled a screech—stifled it because whatever this thing was, she still didn’t want Chad hearing her and rushing to the rescue.
-end of excerpt-
*****
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All Vampire’s Crypt Issues on Dropbox
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Carter Kindle Books
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You can contact me at: MLCVamp@aol.com
“Beast” wishes until next time—
Margaret L. Carter