Author Archive
Welcome to the July 2021 issue of my newsletter, “News from the Crypt,” and please visit Carter’s Crypt, devoted to my horror, fantasy, and paranormal romance work, especially focusing on vampires and shapeshifting beasties. If you have a particular fondness for vampires, check out the chronology of my series in the link labeled “Vanishing Breed Vampire Universe.” For my recommendations of “must read” classic and modern vampire fiction, explore the Realm of the Vampires:
Realm of the Vampires
Also, check out the multi-author Alien Romances Blog
The long-time distributor of THE VAMPIRE’S CRYPT has closed its website. If you would like to read any issue of this fanzine, which contains fiction, interviews, and a detailed book review column, e-mail me to request the desired issue, and I’ll send you a free PDF of it. My e-mail address is at the end of this newsletter. Find information about the contents of each issue on this page of my website:
A complete list of my available works, arranged roughly by genre, with purchase links (gradually being updated as the Amber Quill and Ellora’s Cave works are being republished):
For anyone who would like to read previous issues of this newsletter, they’re posted on my website here (starting from January 2018):
This is my Facebook author page. Please visit!
Facebook
Here’s my page in Barnes and Noble’s Nook store:
Barnes and Noble
Here’s the list of my Kindle books on Amazon. (The final page, however, includes some Ellora’s Cave anthologies in which I don’t have stories):
Carter Kindle Books
Here’s a shortcut URL to my author page on Amazon:
Amazon
The Fiction Database displays a comprehensive list of my books (although with a handful of fairy tales by a different Margaret Carter near the end):
My Goodreads page:
Goodreads
Please “Like” my author Facebook page (cited above) to see reminders when each monthly newsletter is uploaded. I’ve also noticed that I’m more likely to be shown posts from liked or friended sources in my Facebook feed when I’ve “Liked” some of their individual posts, so you might want to do that, too. Thanks!
My vampire romance with suspense and touches of humor, SEALED IN BLOOD, has been republished by Writers Exchange E-Publishing. I love the new cover, which seems to capture the SF-con milieu of the first couple of chapters.
Science fiction conventions attract some strange people, but Sherri Hudson never expected to spend a con weekend helping a sexy man in a cape steal photos of a winged alien. When the photographer is murdered and Nigel Jamison reveals to Sherri that the “alien” is actually his sister, the situation gets intriguingly complicated.
Unwillingly swept up in Nigel’s quest to rescue his sister, Sherri can’t help being fascinated with him. By the time she finds out he’s a vampire, the fascination has become mutual–and too strong to resist.
There’s an excerpt below. At the convention hotel, Sherri and Nigel are following the man who claims to have photos of Nigel’s sister. Sherri doesn’t yet know the truth about Nigel or why he’s pursuing this man.
This month’s interviewee is contemporary romance author Jennifer Wilck.
*****
Interview with Jennifer Wilck:
What inspired you to begin writing?
I’ve been writing my thoughts down and creating stories since I was a kid. As an adult, I kept hearing voices in my head and I thought I was going crazy. Turns out, after talking to other writers, this is fairly normal, and those voices were characters. When I started writing down what they were saying, the voices quieted and I started writing novels!
What genres do you work in?
I write contemporary romance. Some of my stories have Jewish characters, others are more mainstream. I’ve also started to dabble in women’s fiction, but I’m a long way away from publishing in that genre.
Do you outline, “wing it,” or something in between?
I basically wing it. Like I said, I start with the voices in my head and go where they take me. Sometimes I do need to plot out where I’m going, but if I write from an outline exclusively, the stories don’t flow. I actually tried it once and wrote an entire romance without any romance in it. Now I save my outlines for the editing process, which I find helpful for consistency, plot and character development, etc.
What have been the major influences on your writing (favorite authors, life experiences, or whatever)?
I’d have to say my critique partners have been life savers. I always have a favorite author or two, but they tend to come and go. My critique partners are essential for plotting help and just overall making my writing better.
When writing stories that take place in cities where you haven’t lived, how do you research the settings?
The Internet is my friend! I read articles, look at photos, and do a lot of research. Social media is also really helpful.
What is your latest or next-forthcoming book?
My latest release (June 11) is Better Together in Boston, a contemporary romance that is part of a multi-author series, Ticket to True Love. Here’s the blurb:
Do you believe in the legend of True Springs?
Mr. Right doesn’t exist…
Anna Levinson was raised by a single mother, who sacrificed her dreams to give her daughter a warm, loving home. Now a respected professor on the tenure track, Anna is driven to live the life she thinks her mother should have had. She’s long since come to terms with the understanding that “having it all” is impossible if she wants a successful career.
He’s been told he’s Mr. Wrong more times than he can count…
Despite being left at the altar twice, Ben Diamond still believes his soul mate is out there. He’s ready to marry and start a family of his own. He just clearly won’t recognize her when he does find her. And then he meets the maid of honor at his cousin’s wedding, and his world is thrown off kilter.
Settling down might be more than they bargained for.
A long-distance relationship isn’t what either of them has in mind, and Anna isn’t about to ruin another person’s dreams. However, giving each other up is harder than it looks. Can Ben convince Anna that she’s got him all wrong, and that he’s finally gotten it right?
Fall in love with Anna & Ben in this steamy contemporary romance.
Ticket to True Love is a steamy contemporary romance series about new beginnings, second chances, and finding true love in unexpected places. Fall in love all over the world with bestselling and award-winning authors JB Schroeder, Savannah Kade, Moni Boyce, Shirley Hailstock, Holland Rae, Julie Strauss, & Jennifer Wilck. Start your next romance with Better Together in Boston now!
What are you working on now?
I’m currently writing a women’s fiction story about four female friends who play mah jongg together, and the lives that they lead.
What advice would you give to aspiring writers?
Don’t give up. Keep plugging away, improve your craft, and talk to people.
What is the URL of your website? What about other internet presence?
Author Website
Facebook
Newsletter
Twitter
Instagram
BookBub
*****
Some Books I’ve Read Lately:
THE HUMMING ROOM, by Ellen Potter. This YA novel from 2012 reimagines THE SECRET GARDEN in the present day on an island in the St. Lawrence River. The site of the mansion, Cough Rock Island, bears that name because the house originated as a sanitarium for children with tuberculosis. Twelve-year-old Roo, like Mary in the classic novel, loses her parents in a traumatic event. Roo’s father and his girlfriend, however, were drug dealers, murdered while Roo crouched in her hiding place under their trailer. Ms. Valentine, an employee of her father’s wealthy brother, takes Roo to live with the uncle of whose existence she was unaware. A half-feral loner who bonds with animals rather than people, she enjoys the fact that most of the time the servants in the mansion seem to forget her existence. She likes the house’s nooks and crannies and the island’s hiding places, especially when she wants to escape from the private tutor forced upon her. Like Mary in the original, she reluctantly develops a friendship with a no-nonsense staff member, in Roo’s case a young woman named Violet from whom she learns scraps of information about the island and her uncle’s family. Roo, of course, eventually discovers the dormant garden—in this novel, a neglected greenhouse built for her uncle’s late South American wife—and her cousin, Phillip, a sickly boy subject to uncontrollable fits of rage. The collection of animal skeletons he has assembled adds an interesting wrinkle to his character. On the river, a strange boy named Jack, half-seriously rumored to be actually a water spirit, befriends Roo, introduces her to the wildlife of the area, and eventually helps her restore the garden. In short, the story unfolds parallel to the plot of THE SECRET GARDEN, with characters in similar roles. Yet the wild setting of the St. Lawrence islands and the haunting past of the mansion engender their own unique atmosphere. The novel includes tenuous hints of magic realism in the ambiguity of Jack’s nature as human boy or water spirit and the preternaturally rapid flourishing of the replanted garden.
THE DIRT ON CLEAN, by Katherine Ashenburg. Published in 2007, this nonfiction book fascinatingly surveys attitudes toward cleanliness and methods of keeping clean from antiquity to the contemporary era. The introduction lays out the theme continually reverted to throughout the book, that the definition of proper hygiene varies widely among different times and places. To each society, its own attitudes and customs in this area seem normal, while other cultural practices are either self-evidently over-fastidious or (more often) offensively dirty. As the author puts it, “hygiene has always been a convenient stick with which to beat other peoples, who never seem to get it right.” For example, few cultures in the past (and not all in the present) have shared our conviction that body odor is inherently disgusting. She focuses on Europe and America and sometimes the Middle East, with only occasional references to other regions of the world by way of comparison and contrast. The chapters cover, successively, ancient Greece and Rome, late antiquity up to the year 1000, the Middle Ages, 1550 to 1750 (whose uncleanness might surprise many readers), 1750 to 1815 (labeled “The Return of Water”), two chapters on 1815 to 1900 because Europe and America changed at different rates and embraced different levels of fastidiousness, 1900 to 1950, and finally 1900 to the present with emphasis on contemporary obsession with absolute cleanliness as essential to both health and beauty. Ashenburg debunks common misconceptions such as the idea of the Middle Ages in Europe as a nadir of filth, while in fact it was the self-styled Enlightenment period that rejected bathing. Through most of the history covered in this book, however, it’s true that immersing the body in hot water was regarded as a procedure to be undertaken with caution, for heat opened the pores and allowed harmful effluvia into the body. Also, hot and warm baths were often disdained as signs of hedonism, with bracing cold immersions recommended. Only in the nineteenth century and after did medical authorities proclaim the benefits of open pores, a doctrine that encouraged frequent bathing. The author writes in a lively style, in depth and in detail, exploring the shifting philosophies behind the customs as well as supplying factoids that both entertain and inform. Numerous sidebars expand on particular topics, and later chapters include advertisements from the nineteenth and twentieth centuries that illustrate the intersections among popular beliefs, medical recommendations, and commercial exploitation of anxieties about dirt. In addition to bathing and washing the body or its parts, the text touches on oral hygiene but devotes little space to the primary use of the chamber Americans call the “bathroom.” (I suppose including the topic of toilet habits would have doubled the length of the book, at the very least.) My only reservation is a feeling that Ashenburg exaggerates the depth and extent of obsessive-compulsiveness about dirt and odors (especially among women) from the mid-twentieth century to the present. Yes, as amply demonstrated, advertisers want us to think that way, but how many of us have ever fully bought into that obsession?
THE PARASITE AND OTHER TALES OF TERROR, by Arthur Conan Doyle. This handsome, inexpensive trade paperback is the latest in a series of public-domain horror classics re-published by the Horror Writers Association, with introductions and footnotes. The dramatic phrase “Tales of Terror” isn’t applicable to all the contents of this collection. Two are humorous, one is a mystery without much fear involved, and not all have supernatural or paranormal elements. All make enjoyable reading anyway, and most will probably be new even to devoted Sherlock Holmes fans, if they haven’t delved into the rest of Doyle’s works. I had read “The Parasite,” of course, a classic psychic vampire novella, plus a couple of the others, but I encountered several for the first time in this volume. The title story, presented as the journal of Professor Gilroy, a physiologist, narrates his harrowing experience with Miss Penclosa, a mesmerist who exerts a terrible power over him despite his initial skepticism about the reality of psychic talents. “The Mystery of Sasassa Valley,” set in South Africa, deals with a supposedly haunted location that holds treasure but nothing truly supernatural. “J. Habakuk Jephson’s Statement” offers an ingenious and frightful, although non-paranormal, explanation for the mystery of the Marie Celeste (a real-life ship found derelict and inexplicably deserted in 1872). “The Captain of the Pole-Star” is a chilling (both literally and emotionally) yet poignant ghost story set aboard a whaling ship in the Arctic. “In the Great Keinplatz Experiment,” one of the comic tales, an exercise in astral projection through mesmerism goes wrong, causing a professor and his student assistant to switch bodies. “The Ring of Thoth” features an immortal Egyptian mystic lurking in a museum that holds the mummy of his lost beloved. Another ghost story, “The Bully of Brocas Court,” presents a match on a lonely road between a boxing champion and a deceased fighter from a previous era. “Selecting a Ghost: The Ghosts of Goresthorpe Grange,” another humorous piece, is told in the first person by a rich man whose pretensions to an ancient bloodline won’t be complete, he thinks, until he finds a ghost to haunt the medieval mansion he has bought; hiring an alleged spiritualist expert to fulfill that wish ends in disaster. “How It Happened,” a brief tale with little plot beyond the easily anticipated “surprise” ending, simply records a dead man’s experience of his own death as revealed through the pen of a spirit medium. Fans of Doyle’s detective stories and of Victorian supernatural fiction in general would enjoy this collection.
WENDY, DARLING, by A. C. Wise. One of the two darkest novels derived from PETER PAN I’ve ever read. (The other was THE CHILD THIEF, by Brom.) In Wise’s sequel to Barrie’s original tale, Wendy, now grown up and married, must find her way to Neverland to rescue her preteen daughter, Jane, when Peter Pan kidnaps the girl. The story begins as Wendy hears a sound from Jane’s room and realizes Peter has finally returned. After sneering at Wendy for growing up, he flies away with Jane, whom he persists in calling Wendy throughout the book. To him, apparently, all “Wendys” are interchangeable. This version of Peter is not only “heartless,” as in Barrie’s text, but outright cruel. Jane witnesses his capricious treatment of the Lost Boys, randomly either playful or bullying. She befriends a small, timid child named Timothy, who has only fragmentary, fleeting memories of a life before Neverland. Since her mother has never told her about Peter Pan, Jane has to figure out the situation on her own. Resisting the tendency to lapse into a dreamlike state where she accepts Peter’s fantasy world and even forgets her own name, she fights to hold onto her true self. With no desire to play “mother” to a group of strange boys or live on cauldrons of leaves, twigs, and stones magically transformed into soup (or the illusion of soup), she persuades Timothy, who hates Peter’s violent games such as boar-hunting, to sneak away with her. Meanwhile, Wendy reclaims her childhood power of flight and crosses into Neverland, a realm where even the stars are different. There she fully comprehends the truth she didn’t grasp as a child, that everything in Neverland is created by Peter, reflecting his idea of pirates, mermaids, and “injuns” on a paradisial island. Although the Lost Boys are apparently real people, there’s a chilling hint (during one of Jane’s viewpoint scenes) that at least some of them are actually dead. Wendy speculates on the horrifying possibility that Captain Hook may have been a real man trapped in a self-absorbed boy’s fantasy world. The mermaids’ bones lie in shallow water, and the pirates have vanished, leaving behind Hook’s wrecked ship. The one element I missed from the original was the pixies. What, no fairies? Even Tinkerbell isn’t mentioned. When Wendy encounters her dear friend Tiger Lily, the “Indian” princess has begun to wither like a mummy. Yet Wendy clings to the hope that Tiger Lily, at least, has a reality beyond Peter’s magical constructs. As Wendy searches for Jane, interspersed flashbacks reveal what happened after the return of Wendy, John, and Michael from Neverland. While her brothers quickly forgot the reality of the adventure, dismissing it as mere fantasy, Wendy refused to deny the truth she knew. Finally, as a young woman, she was committed by John to an insane asylum. During her ordeal there, she met Mary, a half-Native woman from Canada, who became a lifelong friend. In the present, Wendy, Tiger Lily, Jane, and Timothy must descend into the core of the island to discover the dark secret of Peter’s true nature. This deeply unsettling novel has a bittersweet ending that leaves both Wendy and Jane permanently changed.
*****
Excerpt from SEALED IN BLOOD:
In the next hallway Brewster went into a conference room from whose open door guitar music emanated. At the entrance he paused to glance back at the thinning ranks of strollers that included Sherri and Nigel.
Instantly Nigel grabbed Sherri, backed her against the wall, and kissed her on the mouth. She bunched her arms between their chests, trying to push him away. She might as well have shoved the wall itself. He responded to her struggle to free her mouth by matching her every move, with firm but not grinding pressure. In spite of herself, her lips parted to admit his tongue. At that point she gave up the fight and switched to aggressive cooperation. Wrapping her arms around his neck, she teased his tongue with hers. In contrast to his hands, cool on the flesh exposed by the scoop neck of her dress, his mouth felt feverishly hot. She was just beginning to enjoy the duel when he released her so abruptly she staggered.
Sherri’s hands flew to her disheveled hair. “What was all that about?” Luckily anger–or so she chose to label it–choked her so that she couldn’t yell at him. “Don’t say uncontrollable passion, because I won’t buy it.”
“I didn’t want him to get a good look at our faces.”
Nigel stepped into the conference room and lounged by the door. Sherri peeked around him until he waved her back into the hall. The table had been moved to one side, leaving a circle of chairs occupied by ten or twelve people, Brewster among them, his back to the entrance. A filksing. The guitar player strummed a chord, and the group began a thumping chorus of “What do you do with a drunken hobbit?”
Nigel faded into the hall. Sherri saw him wince as the volume of the singing rose a few more decibels. “Sometimes having perfect pitch is a liability. How long would you expect that to go on?” he asked.
“At least a couple of hours. That’s why I like to get a room in the hotel. Who wants to drive home after a post-midnight singing marathon?”
“Oh, do you call it singing?” Nigel offered a wry smile. “I’m glad you don’t have to rush off, because I want to ask you a somewhat complicated favor. Will you join me for a drink in my room?”
Could all this rigmarole be an inventive plot to lure her into bed? Not likely–she didn’t consider herself irresistible enough to be worth so much trouble. Besides, these days a professional man, acutely health-conscious, would be no more likely to make that move on a first meeting than a sensible woman would. Well, she could learn what he really wanted only by listening to him. And what could he do to her in a crowded hotel, anyway?
“All right, I’ll accompany you to your lair.”
“Just a temporary lair,” said Nigel as he guided her to the elevator. “You should see the castle in the Carpathians, the one with the rat-infested dungeons and the hundred-foot tower.”
“Which location do you keep the captive maidens in?”
“Depends on their behavior. The ones who please me get immured in the tower, with the door bricked up.”
“And you visit them by magic,” said Sherri.
“Of course.”
-end of excerpt-
*****
My Publishers:
Writers Exchange E-Publishing: Writers Exchange
Harlequin: Harlequin
Whiskey Creek: Whiskey Creek
Wild Rose Press: Wild Rose Press
You can contact me at: MLCVamp@aol.com
“Beast” wishes until next time—
Margaret L. Carter
[This story was first published in AFTER HOURS, Number 15 (Summer 1992).]
Cold Magic
The vial felt like a lump of ice in Devora’s open palm. Her empty hand, clammy with sweat, mechanically smoothed her tawny hair, as if a single strand out of place might betray the ferment inside her head. Did she dare to drink, unsure of the potion’s side effects?
I dare not do otherwise. If I surrender to Tyras, my life will be worthless in any case.
Flicking dust from the vial, whose minute weight dragged at her like a lump of lead, she glanced down into the secret drawer from which she had taken the potion. The compartment held her scant hoard of magical treasures — her ceremonial knife, a couple of rings, a few scrolls. Her father had presented her with this chest, concealed niche built in, out of a playful delight in secrecy that she shared with him, rather than any serious fear of thieves. The potion was the only dangerous item in the cache, the only one Devora had never used. Her father, the late Lord Guardian, a more accomplished sorcerer than she could hope to become, had given it to her as a curiosity.
Tears stung her eyes. She clutched the vial, its chill searing her skin. How Lord Girvan would grieve if he knew what had befallen his Ward! That’s why I must do this. Tears are a waste of energy.
A rapping sounded at her door. With a start that almost made her drop the vial, Devora sprang to her feet. Hastily she fumbled the bottle back into its hiding place and snapped the drawer shut. The latch on her chamber door lifted. She stepped over to her oval mirror of polished silver and pretended to inspect her pale violet gown.
An auburn-haired boy in his late teens, younger than Devora herself, entered the room. His eyes roamed insolently over her bare shoulders. “Lady Devora, Lord Tyras directs that you meet him in the antechamber to the great hall as soon as you’re dressed.” The servant’s tone, as usual, held no respect. Tyras did not encourage his men to show her any.
“Haven’t I ordered you to wait for permission before entering my quarters?”
Ignoring the rebuke, the boy said, “I’ll inform Lord Tyras that you will be down immediately.”
Shutting the door after him, Devora felt her hand shaking with anger, another indulgence she could not afford. The servant would doubtless assure Tyras that Devora was resigned to going through with the evening’s charade, and she had to maintain that illusion. Her plan depended on lulling the usurper into complacency. Tyras, her father’s cousin, had several times asked to marry Devora. Even as a child, she had disliked Tyras, a blunt, unimaginative man who could never share her scholarly interests. She had refused him. Her father, Lord Girvan, had backed her up, well aware that Tyras, as Lord Guardian of the adjoining Ward, wanted Devora only because she stood to inherit her father’s holdings.
At Lord Girvan’s death, Tyras had shown up with his retinue to pay his respects. Once more he had asked — no, demanded — that Devora become his wife. He must have expected the rejection he got, for his “ceremonial” retainers, unmasked as armed knights, had overrun the keep. They had easily overwhelmed Devora’s guards. Her family, ruling a small, quiet Ward, devoting themselves for generations to scholarship and the theory of magic, had little experience in warfare.
When Devora had not struck him down with a bolt of lightning on the spot, Tyras had apparently decided that her magic was as useless a trifle as he had always assumed. She had feigned surrender, awaiting her chance. This evening Tyras had summoned the leading knights and freeholders of the Ward to a banquet, where he planned to announce his betrothal to Devora, sealing his lordship in the eyes of his new subjects. She counted on the celebration to keep him occupied while she carried out her plan. That diversion, however, depended on her using the potion.
Again she removed the bottle from the secret drawer. This elixir was one of two items her father had bartered from a colleague in the eastern mountains. The other, she meant to unearth from its hiding place and use to strike at Tyras. But first she had to drink the potion, which would sunder her from herself, enable her to be in two places at once. A double, a shadow-self would hang on Tyras’ arm like a puppet and smile at the assembled guests, while Devora’s real self would creep through the castle corridors.
Lord Girvan had never planned to use the potion, nor would he let Devora experiment with it. The mage who had given him the liquid could not say precisely how long a dose lasted or how many doses could safely be taken at one time. A sip might keep the drinker divided for a few heartbeats or half a night, and too many sips might lead to madness or death. Still, Devora saw no alternative. Though she had managed to send off a messenger to the overlord of the Principality, she placed little faith in aid from him. Their overlord might decide that the affairs of so small and remote a Ward were not worth meddling in, that Tyras, holding power, might as well keep it for the sake of peace.
Slipping into her wardrobe, wedging herself between dusty winter cloaks, Devora uncapped the vial. The fumes stung her nose like the icy, thin air of the mountain where the stuff had been brewed. She reassured herself that she did have some control over the potion’s magic. Lord Girvan had taught her the word to activate the initial doubling, along with a counterspell to undo the division before the potion wore off, if necessary.
She hesitated with the vial at her lips. What would happen if I drank the first dose without saying the word? She dismissed the frivolous thought. This was no time to experiment; already she took too great a risk. She downed a mouthful of the liquid.
Cold scalded Devora’s throat and stabbed behind her eyes. She gasped out the power word. Instantly the agonizing chill melted. Her head reeled. She closed her eyes against the dizziness. Hugging the cloaks on the wall to keep from falling, at the same time she groped for the door of the wardrobe.
How? I don’t have that many hands.
She stumbled out of the wardrobe, slamming the door behind her. Not a moment too soon, for she heard footsteps in the hall. Perhaps Tyras had grown impatient and sent a lackey for her. Somehow the room rippled in her sight like a scene under water. Of course, my eyes aren’t open.
That made no sense, for she was seeing, however imperfectly. Nevertheless, she forced her lids wide open. Simultaneously she saw the blurred contours of her furniture and the darkness inside the cabinet.
Her stomach lurched as it would on a small boat in a storm. It worked! There are two of me! The bedchamber door opened, and Tyras himself stepped in.
His square-chinned face contorted in a malicious smile. “I trust you’re ready for the feast? We mustn’t keep our guests waiting.” He wore a tunic and cloak of the family colors, green and silver. With his wavy cap of copper-gold hair, just slightly feathered with gray at the temples, he would look passably handsome to an unbiased woman.
Devora gritted her teeth against a spasm of nausea. “I’m ready.” The way her shadow-self echoed the words she mouthed made her skin prickle.
When Tyras offered her his arm, she caught sight of her father’s seal ring on his hand. Staggering, her double clutched at Tyras for support. His eyes raked her. “Don’t even think of trying to fake illness. You won’t squirm out of this.”
Devora forced her double to stand straight, mouth set in a disdainful line. “I wouldn’t consider trying. You have my parole. Shall we get on with it?”
Once assured that her puppet was safely in motion, striding down the main staircase on Tyras’ arm, the real Devora focused her attention on the wardrobe where she hid. Quietly she slipped out. For a moment she stood listening. She heard no sound of movement in the corridor. Throwing on a lightweight gray cloak over her gown, she dropped the corked vial into one of the cloak’s pockets and took the ceremonial dagger out of the concealed drawer. Slender-bladed, set with gems, it was not meant for self-defense. But since its razor tip could draw blood painlessly from a bird or rodent, or from the mage’s own hand at need, doubtless it would cut a man’s throat. Provided, Devora thought, she could remember anything of her few lessons in knife fighting.
With luck she would not have to test her skill. Perhaps all Tyras’ guards would be stationed at the gates or in the banquet hall. She knew little of the usurper’s arrangements, since she had been confined to her chambers almost constantly since the funeral. At Tyras’ “celebration” she would appear in public for the first time. If he thinks he can wear me like a mask in the sight of my subjects, it’ll be a pleasure to convince him how wrong he is.
Thwarting him required that she first make her way to her father’s bedroom. She knew Tyras had claimed it for himself, one reason why she could not pursue her goal until he was safely occupied downstairs. Opening her door a crack, she saw no one. She edged into the corridor, where she glided along the wall opposite the dimly-burning lamps, trying not to hug the shadows too obviously.
Every few paces a ghostly image of the banquet hall flashed before her eyes. The flickering visions made her head ache. She rounded the first corner, wishing the Lord Guardian’s quarters did not lie so far from her own. She forced herself not to scurry.
She silently commended herself for that discipline when she heard footsteps approaching around the next bend. Devora thrust both hands into her cloak pockets to conceal the knife she gripped. To her relief, one of her own house servants, an old woman bearing an armful of dirty linen, shuffled into view. The servant merely gave Devora a puzzled glance, with a deferential murmur of “Milady.” Fighting to keep her breathing steady, Devora returned a cool nod.
As soon as the woman disappeared from sight, Devora leaned against the chill stone wall. Her head spun with renewed dizziness. Abruptly the hallway vanished, and she found herself seated beside Tyras at the head table. She spared a moment to survey the carefully bland expressions of the guests. Would any of them protest her clearly coerced betrothal? She doubted that. Aside from attending major festivals and dispensing justice when custom demanded, Lord Girvan had sought little contact with his people. While they had no cause to hate him, neither had they any motive to risk their safety for the late Guardian’s daughter. For the first time the defects in her father’s style of ruling occurred to Devora. A stab of indignation surprised her. He left me to this, unprotected, without a scrap of training! Did he think he would live forever?
She thrust aside the disloyal thought. If I live through this, I’ll have time enough to correct his mistakes. As if through a muffling layer of blankets, she heard Tyras whisper, “What ails you, Lady? At least make a pretense of paying attention!”
The potion — it’s wearing off! Without giving herself time to dread the icy liquid, Devora took a gulp of the potion. Her two halves snapped apart with an ear-scraping twang like an ill-tuned harp string. She had to hurry. Praying that she would meet no one else, she strode through the corridors as fast as she could without actually running.
Her pace slackened only when she passed the small memorial chamber that enshrined her ancestors’ ashes. Through the doorless arch she glimpsed her father’s urn in its niche, the votive lamp casting a dim glow upon it. Choking back tears, she hurried on.
She gritted her teeth in frustration at the endless angles and cross-corridors she had to traverse. She knew, of course, that the castle had been built this way in her distant forebears’ time to confuse and delay invaders. Little good that had done her!
At last she paused at the corner nearest her father’s bedroom. Her head pounding, she peered around the bend, trusting the shadows to hide her gray-cloaked shape. In front of the door stood a guard in Tyras’ livery.
Devora held her breath, closing her fingers on the dagger she had brought for just such an obstacle. Could she kill a man?
Don’t be a squeamish fool, she told herself. What I’m looking for will do worse than cut down one soldier.
More to the point, would her meager skill suffice against a trained fighter? Not without trickery. Too bad I didn’t have an invisibility potion on hand. Throwing back her hood, she stepped into the middle of the corridor.
Startled, the sentry blinked and stood a bit straighter. Still, his relaxed stance altered little, legs apart, hands clasped behind his back. Why should he expect a challenge from the girl who had meekly yielded to his master? “Milady,” he said in a tone just short of contempt, as Devora walked up to him.
With the aloof manner she habitually used with Tyras’ men, she said, “Stand aside. Lord Tyras sent me to fetch something he left in his chamber.” That excuse sounded feeble, she knew, for normally the lord would send a servant on such an errand. The pretext, however, enabled her to approach the door without open hostilities.
“What?” the guard asked.
“Has your Lord given you leave to question me? Stand aside, I said.”
Even though she stood within touching distance, the guard showed no wariness. “Tell me what he wants, and I’ll find it for you.”
Fists clenched in her pockets, her right hand clutching the dagger’s hilt, she fought off a surge of faintness. When she staggered, the guard caught her sleeve. “Milady, are you ill?” Doubtless he feared Tyras’ displeasure if the Lord’s prize came to harm on his watch.
As her faintness ebbed, she seized upon the inspiration it presented. She let her full weight slump onto the guard. At the same instant, she whipped out the knife and sliced open his throat.
She leaped back and watched him topple to the floor. Silently she thanked the Goddess and Lord Girvan’s spirit for all those lessons in anatomy and the painless killing of sacrificial beasts.
To her dismay, she felt another attack of vertigo. The dim corridor faded to a sharp image of the banquet hall. Beside her, Tyras stared into her face. His fingers closed on her wrist, and it seemed they sank into the flesh. He gave her a puzzled frown, as if disbelieving his own sensations.
Gasping a prayer for help, Devora wrenched her consciousness back to her true body. In trembling haste she downed another dose of the elixir. This time the redoubling sent pain lancing through her from forehead to bowels.
She knew she had no time to waste. She couldn’t squander it dragging the guard’s body out of sight — no telling how much longer she could safely use the potion. Trying the door of her father’s chamber, she thanked the Goddess that it wasn’t locked. Now, if only Tyras had not found the hidden closet —
Devora thought that unlikely. If he had, surely he would have demanded an explanation of the contents. Therefore the relic she wanted must still be stored in its usual place.
She had seen it only once, a ten-sided box carved of a single gem, a white crystal that looked like a lump of ice from the mountain where its former owner dwelt. Lord Girvan had accepted this thing, like the potion that had come with it, as an exotic artifact, not for use. It represented the kind of destructive sorcery he never dabbled in. Aside from pure theory, he had practiced only benign magic such as giving the spring rains an encouraging nudge and presenting spectacles of colored light at the Midwinter feast.
All Devora knew about the gem was that it constituted a weapon. Somehow it was supposed to defend its owner. Whether she could command it, she did not know, only that it would not harm her if she followed her father’s instructions. With the chamber door bolted behind her, she crept to the hearth. A simple, obvious secret entrance, she reflected. How fortunate that Tyras’ avarice lay in directions that left him too busy to search for arcane hiding places.
Her fingers deftly probed the trigger point under the mantlepiece. The seldom-used door to one side of the fireplace slid open with a groan. Flinching, she ordered her racing heart to slow down. Noise is the least of my worries now.
She left the secret door ajar to admit light from the single lamp into the cubicle. She let out a long breath of relief when she glimpsed the gem wrapped in satin, lying on the shelf where her father had stashed it years before. Snatching it up, she ripped off the cloth and discarded it where she stood. Numbness spread up her arm from the hand that gripped the gem, as if she had plunged the limb into near-freezing water.
She darted into the bedchamber and pushed the concealed knob that closed the secret door. Another wave of nausea and faintness swamped her. Casting away all caution, she swallowed the rest of the potion. For an instant she stood beside Tyras, listening to the assembled knights and merchants toast her health. Then the dimly-lit bedroom surrounded her once more.
She struggled to remember exactly what her father had told her about this artifact. She turned it in her hands, a white crystal slightly bigger than her fist, with a hairline crack showing where the lid was attached and a slender gold chain to keep the two halves from becoming separated. Blood — it had to be bound to its holder by blood. With shaking hands she wiped the dagger clean. Then she nicked her wrist to anoint the gem with a few drops of her blood. Now whatever power lurked within the box would pour out when she removed the lid.
She tiptoed to the bedroom door. With the pulse hammering in her skull, she lifted the latch.
Directly in her path, a man knelt beside the guard’s body. A man in Tyras’ livery.
Glancing up at Devora, he leaped to his feet. She recognized him as the insolent lackey who had brought her the message earlier. For a second his mouth hung open. Before he could draw breath to raise the alarm, Devora wrenched the lid off the crystal box.
What happened astonished her almost as much as it did the servant. A cloud resembling white smoke billowed out of the gem. It did not smell like smoke, however, instead emitting a sharp aroma that stung her nose and eyes. Nor did the cloud give off heat. Rather, a numbing chill radiated from it.
Instead of drifting, the cloud — pounced — on the servant. It enveloped his head and shoulders, swallowing any scream he might have attempted. Devora backed into the doorjamb. The man crumpled to his knees, then toppled over and lay still.
The white mass floated up to hover near the ceiling. Devora covered her mouth to hold back the scream that threatened to burst forth. After taking a few ragged breaths to calm herself, she bent over the servant. Dead — no possible doubt. His open eyes stared like painted stone. His ruddy skin had turned grayish-white. With a grimace of revulsion, she touched his hand. It felt cold and brittle.
The — creature — had sucked the warmth out of his body.
She felt her mouth twist in a mockery of a smile. So this was her weapon, a quasi-living thing of coagulated mist? She had to choke down hysterical laughter at the fantasy of her cousin sending his swordsmen against such a foe.
She strode down the corridor, with the gem cupped in her hands. The creature glided ahead of her like a well-trained hound.
She met no one on the way to the main staircase. For that she was grateful, since she had no desire to see one of her own servants drained to death. At the head of the curved staircase she heard the rumble of voices from the great hall. Picking her way down the polished stone steps, for a moment she cast her awareness into her other body, at the head of the high table. Tyras gazed upon her with a proprietary smirk. Around her the servers bore away trays of scraps and circled the table with flagons of after-dinner wine.
Looking through the eyes of her puppet-self made Devora lightheaded. She was about to switch her attention back to her real body when the guests’ conversation abruptly died. Over Tyras’ shoulder she glimpsed the icy cloud floating down into the hall.
Tyras half-rose, turning to seek the cause of the sudden silence. “What is this? Some of your damned witchery?” His eyes darted between the hovering thing and the woman beside him. He grabbed her wrist cruelly hard. Devora suppressed a shriek; she hadn’t known her shadow-self could feel pain. Tyras cast another look at the stairs, and his eyes went wide with the first sign of fear she had ever seen in him.
Gazing past him, she saw herself descending the steps. With a bruising jolt, she forced herself back into her proper body. She had no instructions for controlling the thing she had unleashed. Fortunately, it seemed to need no commands. It surged into the dumbfounded crowd.
The first person in its path was a maid carrying a platter full of dishes. Too bewildered to move, she stared at the creature as it billowed into her. The platter fell out of her hands with a crash. A moment later the cloud flowed away from her. She lay on the floor, white in death.
That sight broke the guests’ paralysis. They backed away from the center of the room, clearing a path for the creature. Devora stopped at the foot of the stairs to watch.
“Fools — cowards!” Tyras roared. “Are you all afraid of some sorcerous trickery?”
One of the guards at the main door, rasher than the rest of Tyras’ men, drew his sword and charged the thing. The cloud swept over him even faster than it had drained the maid. When he dropped his sword, it shattered like a pane of glass.
Knots of people shoved each other to get at the side doors. “Fire!” Tyras shouted over their frightened babble. “Try burning it!” He let go of Devora’s double and shouldered his way toward the nearest wall. “What are you, witless children? Somebody give me a torch.”
Meanwhile, Devora noticed, the cloud was already tearing like a miniature cyclone through the nearest group of people. After each kill it moved faster. A scarlet-gowned matron plucked a lighted torch from a wall sconce, to be passed hand over hand to Tyras.
Brandishing the torch before him, he marched across the floor to the thing. Devora fancied that it paused at his approach, like a beast sniffing the air for prey. It shifted course and floated toward Tyras.
He charged it with the torch. Devora could almost hear its gratified snarl. Fool, she thought. He’s feeding it!
It sucked up the flame instantly. Then it poured over Tyras. He managed a tortured gurgle before it shrouded his face.
When it oozed away from him to seek its next victim, Devora knew from the terror in the watchers’ eyes that no one else would contest her right as her father’s heir. Her legs felt weak. Swaying, she leaned on the wall. “Stop!” she cried. “Come back!” She held the crystal box aloft.
The creature did not respond. An elderly knight and his dame fell before it. Devora’s throat tightened at the realization that she knew no word of command to recall the thing. She tried to scream orders at it, and only a hoarse whisper came from her mouth. Trembling with weariness and horror, she watched the cloud sweep through the room. Now, instead of taking victims as they stumbled into its path, it pursued the fleeing guests, darting from one to another like a hunting-cat picking off the weakest members of a grazing herd.
Within minutes, the men and women left alive had streamed out the side exits, slamming the doors shut behind them. Devora and her double faced each other across a huge room littered with frozen bodies. The creature, though sated enough to drift slowly now, made no move toward the open crystal. It floated in the direction of the main door — the door that led into the courtyard and thence to the open road.
Scanning the wreck of the banquet hall, Devora saw her own servants and subjects among the dead, outnumbering Tyras’ henchmen and declared allies. The thing she had loosed did not stop with killing her enemies. Left free, it would rampage through her Ward — for how long? Would it ever rest? What could she expect of an icy whirlwind with the sentience of a wild beast?
Too weak to move, Devora threw her consciousness into her shadow-self. If the thing would not harm her, perhaps she could block it with her duplicate body. Her double raced to the portal and stood in the cloud’s path, her arms raised above her head. “Halt!”
The creature did pause, hovering less than an arm’s length away from her. Devora sensed hesitation in it, as if uncertain whether or not her double was legitimate prey. It drifted closer. Her double began to quiver with the fatigue of holding the defensive posture. Even if the cloud would not force its way past her, how long could she maintain this stance? And eventually the potion would wear off, anyway.
The creature floated nearer until it almost touched her. It extended a tentacle like an icy tongue, tasting her flesh. The skin it brushed went numb. Devora’s chest, or her double’s — she could no longer tell the difference — ached with holding her breath.
The cloud began to flow over her. It apparently decided that this magical puppet had no power it needed to respect; the double was not “really” Devora.
Cold crept up her limbs, along her veins to her heart. Blackness clotted before her eyes. Still gripping the gem in one hand, she searched her befogged brain for a way to force the thing back into its prison.
She had been given no incantation for that. But she did know the command word to reunite her divided self. She stammered the word.
Her sundered half arced toward her like lightning blasting a storm-whipped tree. Agonizing cold speared her. Everything went dark.
When consciousness returned, she wondered if she were dead. After an interval of silence, though, her nerves woke enough to let her feel stone against her back and the needle-prick of returning sensation in her face, breast, and arms.
No, this can’t be death. Then why can’t I feel my legs?
Trying to flex her cramped fingers, she felt the gem in her right hand. Fumbling, trying to ignore the stabs of pain caused by movement, she replaced the lid on the crystal box.
It worked. The thing came back into the gem when I recalled my other self.
Tentative footsteps teased her ears. Opening her eyes, she blinked in the glare of a lamp. When the bearer moved the light aside to help her see, she recognized her father’s old steward.
“Milady — you’re alive! Thanks be to the Mother!” He slipped an arm under her shoulders. “That — thing — they were yelling about? It’s gone?”
She managed a weak nod. “Gone,” she whispered. The steward raised her to a sitting position. Still her legs hung limp, with no feeling. When the man tried to help her stand, she said, “I can’t. My legs — they don’t work.”
He lifted her in his arms, as no one had done since her early childhood. Devora gave him a smile in return for his pitying look. The price she had paid was little enough.
-end-
Welcome to the June 2021 issue of my newsletter, “News from the Crypt,” and please visit Carter’s Crypt, devoted to my horror, fantasy, and paranormal romance work, especially focusing on vampires and shapeshifting beasties. If you have a particular fondness for vampires, check out the chronology of my series in the link labeled “Vanishing Breed Vampire Universe.” For my recommendations of “must read” classic and modern vampire fiction, explore the Realm of the Vampires:
Realm of the Vampires
Also, check out the multi-author Alien Romances Blog
The long-time distributor of THE VAMPIRE’S CRYPT has closed its website. If you would like to read any issue of this fanzine, which contains fiction, interviews, and a detailed book review column, e-mail me to request the desired issue, and I’ll send you a free PDF of it. My e-mail address is at the end of this newsletter. Find information about the contents of each issue on this page of my website:
A complete list of my available works, arranged roughly by genre, with purchase links (gradually being updated as the Amber Quill and Ellora’s Cave works are being republished):
For anyone who would like to read previous issues of this newsletter, they’re posted on my website here (starting from January 2018):
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Carter Kindle Books
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Below is another excerpt from my forthcoming light paranormal romance novella KAPPA COMPANION, which now has an official release date—August 4 of this year. Heidi is a widow who has recently bought an old house. Adam is her seven-year-old son, “Zashi” is his possibly imaginary friend, and Ebony is the cat.
This month’s interview guest is multi-genre romance author Liz Crowe.
*****
Interview with Liz Crowe:
What inspired you to begin writing?
The very idea that I could create entire worlds and characters that I’d want to read, and hope that others might too.
What genres do you work in?
Mostly contemporary romance, some rom coms and mainstream fiction with romantic elements. I’m currently working on my first mystery/thriller.
Do you outline, “wing it,” or something in between?
I am a total pantser. Or as the manuscript developer I’m working with on my mystery/thriller calls me: total chaotic pantser. I’m being forced into outlines for that book and I’ll admit that it’s teaching me new skills.
What about series works? In each case, did you know in advance that the novels were going to be part of a series and plan accordingly?
I’ve done a bit of both—planning out books in a series (like the Love Brothers, for instance where each brother has his own novel) and winging it for series that grew in my brain a bit more organically (like The Stewart Realty series, which runs through two generations of characters).
What have been the major influences on your writing (favorite authors, life experiences, or whatever)?
I bring a fair bit of life experience to my books, at least in terms of settings. I read across almost all genres so I also take a lot from my favorite authors like Margaret Atwood, Stephen King, Lee Child, Barbara Kingsolver, and Lianne Moriarty just to name a few.
How have you incorporated your experience in real estate and beer brewery into your books?
I use them as settings and bring the sort of veracity that I sometimes find lacking in books. I’ve worked for years in both industries and know a lot about how they both work so I try to make it (the setting) almost as interesting as a character each time.
What is your latest or next-forthcoming book?
I’ll be releasing a second chance romance July 13 called Backup Offer. It will be the final book in my best selling Stewart Realty series but is a stand alone, a sort of 10-years-later look at a couple who were teenagers in the book before it. My hope is that it snags new readers for this series who will then go back and read the 8-book backstory. Or if not, that they’ll enjoy the story of a couple in their early thirties who were a mess as teenagers but now have their acts together alone—and they reunite.
What are you working on now?
I’m finalizing edits for Backup Offer and also am starting book 4 of The Detroit Sports Network series, called SMASH. It’s an enemies/rivals to lovers story in the series about a fictional TV sports network/website run by women. I’m also still outlining the mystery /thriller and look forward to being in a place where I can actually begin writing it soon.
What advice would you give to aspiring writers?
Never turn down the opportunity for a good, honest critique or editing session but don’t take it personally. The book is not your baby. It might be really bad and need a lot of work. Most first drafts are terrible and always need work. Keep working at it to make it better!
What is the URL of your website? What about other internet presence?
Here are all of my links:
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WEBSITE: Liz Crowe
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*****
Some Books I’ve Read Lately:
THE LIGHT OF THE MIDNIGHT STARS, by Rena Rossner. An unusual fantasy novel set in the late Middle Ages in Eastern Europe. In a Hungarian village, Rabbi Isaac (who sometimes rides a cloud dragon) and his three daughters preserve the sacred magic inherited from their illustrious ancestor, King Solomon himself. Steady, bookish Hannah has gifts for growing plants and healing. Volatile, rebellious Sarah has power over fire that she can’t control. Shy Levana, at first a less strongly defined character (to me, at least), is fascinated by the secrets of the stars. Summoned to heal the mysterious illness of a Gentile noblewoman, Hannah falls in love with Jakob, the lady’s son. The rabbi agrees on the conditions that they wait until Hannah comes of age and that Jakob convert to Judaism. Around the same time, the Black Mist creeps over the land, inflicting blight on plants and sickness on people and animals. Although Levana secretly fears the worst, having seen ominous portents in the night sky, Hannah’s engagement proceeds as planned. The happiness of the wedding, however, is tragically shattered when Jakob faces execution as a heretic for abandoning his family’s religion. Meanwhile, Sarah, painfully aware that her parents consider her difficult and disappointing, covertly forms an attachment to Guvriel, a fox shapeshifter who teaches her to channel her powers. In the second half of the novel, the family, forced to flee from their home, starts afresh under a new identity. There Levana has a love affair with a man who’s actually a fallen star in human form, while her sisters are courted by young men of the local prince’s entourage. What will happen when the family’s Jewish heritage comes to light? And what about the Black Mist (which the author’s afterword describes as a combination of the medieval Black Death and biblical leprosy, used as “a metaphor for antisemitism”)? Several different voices tell the story. Interludes by an omniscient narrator, in the past tense, supply background information and an overview from a historical or legendary perspective. Sections narrated by the three daughters are in present tense (for no particular reason I can see, but I got used to it). Toward the end of the book, Levana’s words are framed as free verse rather than prose. The intertwined plot threads culminate in a bittersweet ending reminiscent of the darker type of fairy tale. Rossner’s afterword discusses the history, family memories, fairy tales, and legends she combined and modified to create the story.
SPARROW HILL ROAD, by Seanan McGuire. Opening novel of a trilogy narrated in first person (aside from a few short inserts from fictional documentary sources about contemporary folklore) by a hitchhiking ghost, Rose Marshall. I don’t find its present-tense narrative as obtrusive as usual; the device seems to fit this story, especially given the achronic order of the chapters in this opening volume. As Rose explains in a later book, ghosts don’t experience time the same way the living do but exist in a sort of perpetual present. As a sixteen-year-old girl from a poor family in a small town in Michigan, she died in 1952 on what would have been the night of her prom. Urban legends call her the Girl in the Green Silk Gown, the Phantom Prom Date, and many other names. Her car crashed when she was deliberately run off the road by Bobby Cross, a James-Dean-type actor who disappeared into the desert, presumed dead. He isn’t dead, though. He made a bargain at a crossroads for perpetual life and youth, provided he fuels his car with the souls of people he kills with that vehicle. Thus his weakness is that he’s bound to the car and the road. Rose, as the one who got away, becoming a “hitcher” instead of a sacrifice to his immortality, obsesses him. SPARROW HILL ROAD originated as a series of short stories, and some of the chapters could still stand on their own. The episodes skip around in time and place, with the location and year at the head of each. Rose serves as a psychopomp, helping people who die in traffic accidents move on to their destiny. A few stay in the “twilight” between life and the final destination, whatever that may be, rising as hitchers, phantom riders, or spirits trying in vain to go home. At truck stops and diners on the twilight level, Rose encounters other spirits and routewitches, still-living people who work their magic while traveling the roads, ruled by a Queen named Apple, a young-looking Japanese-American woman. Rose often stops at the Last Dance Diner, run by a bean sidhe named Emma. These are only a few examples of characters and settings from McGuire’s extensive mythology, borrowed from both traditional folklore and urban legends. Not surprisingly, many contradictory tales have attached themselves to Rose. Some stories accuse her of killing drivers who offer her rides, while in fact she does her best to prevent accidents she foresees. In one episode, she witnesses the death of a boy, Tommy, in a drag race; he and his car rise together, and he becomes a phantom rider. Decades later, his girlfriend, Laura, a college professor who has devoted her career to studying contemporary ghosts, tries to get revenge on Rose for supposedly killing her one true love. (People my age will recognize the popular song origin of Tommy and Laura.) Rose also runs into one of her few surviving relatives, who has an ulterior agenda. She later finds her way to the deathbed of her boyfriend, now a very old man, who has never stopped loving her. Throughout the book, Bobby Cross pops up, forever striving to complete the sacrifice he started by killing Rose. Sometimes she temporarily defeats him, while on other occasions she barely escapes. The two subsequent volumes in the trilogy, THE GIRL IN THE GREEN SILK GOWN and ANGEL OF THE OVERPASS, have more conventionally linear novel plots, focused on the escalating conflict between Rose and Bobby. Each book includes a glossary of supernatural entities; the first volume also contains lyrics of associated songs written by McGuire. Rose is a sympathetic character who can seldom resist helping those who need it, despite her tough-gal façade and sometimes abrasive personality (and her habitual use of obscene language, which she must have picked up after death, because innocent girls in the 1950s seldom talked that way). Most fans of ghost stories and especially urban legends will find this trilogy enthralling.
THE MAP OF TINY PERFECT THINGS, by Lev Grossman. An e-published novelette by the author of THE MAGICIANS. A movie of this story is available on Amazon Prime Video. The teenage narrator, Mark, is caught in a “Groundhog Day” loop. Grossman doesn’t waste space on a setup. As the story begins, Mark has already relived August fourth numerous times. On the whole, this situation is okay with him. He’s in the midst of reading through the entire science fiction and fantasy section of the public library, although at this point he’s still in the A shelves. He has considered devoting his apparently endless free time to discovering a cure for cancer, but he realizes he doesn’t have the background or resources for such an endeavor, not to mention the problem that any records he tries to keep will have disappeared each morning when he wakes up in bed again. So, to the best of his ability, he relaxes and enjoys his unique position. As becomes clear later, however, he does suffer from an increased sense of disconnection, starting to think of all the people he encounters as mere automata, fated to repeat the same actions over and over in perpetuity. Then he meets Margaret, a girl who shares his awareness of the time loop. As they explore their bubble existence together, he begins to fall in love with her but doesn’t know whether she returns the attraction. She has secrets, exemplified by her disappearing without explanation for several hours each day, which he doesn’t feel free to pry into. Both of them rejoice in the “tiny perfect things” of the title, moments of wonder that repeat at the same time and place on every recurring August fourth. They record those incidents on a map, even though they have to re-draw it from memory every morning. When they try to find out whether the temporal anomaly covers the rest of the planet or only their town, the result serves as a catalyst for Mark to investigate Margaret’s activities while they’re apart. The revelation that follows impressed me as a surprising and poignant climax. Before reading much of the e-book, I watched the beginning of the Amazon Prime video but found it less engaging than I’d hoped. Mark’s intelligent, articulate narrative voice in the story doesn’t come across in the portion of the movie I viewed. Now that I know how the plot unfolds, though, I’ll probably give the rest of the video another chance.
*****
Excerpt from KAPPA COMPANION:
Heidi woke to a bloodcurdling yowl. Heart pounding, she sat up in bed. After a second, she realized the noise wasn’t a remnant of a monster in a nightmare, but a cry from the cat. She’d never heard Ebony make a sound like that before. Maybe she’s protecting us from a wild, fierce mouse. She hoped not. The pre-sale home inspection hadn’t reported any pests. The caterwauling receded along the hall and down the stairs, then stopped.
Heidi lay back and closed her eyes, waiting for her breath and pulse to slow to normal. Now that Ebony had fallen silent, though, a different sound wafted from the hallway. Singing.
Sitting up again, Heidi strained her ears. A child’s soprano voice sang in a language she didn’t recognize. “Adam?” No answer. The voice grew fainter and faded away.
She extracted a flashlight from the nightstand and crept to the closed bedroom door. Leaning against it, she didn’t hear anything. She stepped into the hall and switched on the flashlight, not wanting to wake Adam with the overhead light if he’d slept through the cat’s cries and the song, assuming he hadn’t done the latter himself.
Tiptoeing toward his room, she glanced at the floor, which showed traces of water at regular intervals. At first sight, they looked like child-size wet footprints. Had Adam made the tracks after his bath? Surely she would have noticed them before, though, and anyway they would have dried by now. She nudged his partly open bedroom door farther ajar and peeked in. In the faint glow of the night light, he lay sprawled on his side, breathing deeply and evenly, with no sign of faking sleep. Also, when she thought to check the floor inside his room, that space showed no wet marks. Withdrawing into the hall, she found the tracks already drying.
After going downstairs to check all the doors, which were locked the way she’d left them, she returned to her own bed, shaking her head in bewilderment. If he wasn’t singing, what did I hear? The TV? She didn’t think she’d become so absent-minded at the age of thirty-four that she would leave the set on and forget doing it. Maybe the cat had stepped on the remote control in the living room just long enough to switch the TV on and off. And if she’d been pawing in her water bowl and then taken a stroll upstairs, that could explain the wet spots. Sure, blame it all on the cat. Considering the hypothetical identification of “Zashi” as the name of a ghost child, she emphatically preferred blaming the cat over suspecting a mischievous spirit.
She’d poured every dollar she could spare into the house. What would she do if it was actually haunted? Sue the home inspector for missing that problem? Abandoning her investment like a hysterical heroine in a horror movie wasn’t an option. She dismissed the whole idea with a shaky laugh. This place is our fresh start. There can’t be anything wrong with it. No way would I accept that—even if I did believe in ghosts, which I don’t.
-end of excerpt-
*****
My Publishers:
Writers Exchange E-Publishing: Writers Exchange
Harlequin: Harlequin
Whiskey Creek: Whiskey Creek
Wild Rose Press: Wild Rose Press
You can contact me at: MLCVamp@aol.com
“Beast” wishes until next time—
Margaret L. Carter